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Friday, November 20, 2009

The One Book, One Philadelphia Graphic Art Contest is a juried art competition designed around this year’s One Book, One Philadelphia selection, The Complete Persepolis, by Marjane Satrapi, for students at Philadelphia’s art schools. This event gives students a chance to share their story as a narrative or memoir art piece. All winning submissions will be announced on February 12, 2010, during a reception at Moore College of Art & Design. They will be on display in a gallery at Moore through March 19.
Any questions please contact Cara Scudner at cscudner@moore.edu
For more information please visit onebookgraphicarts.blogspot.
For more information about One Book, One Philadelphia visit freelibrary.org/onebook
Monday, November 16, 2009
Critical Dialogues 11/23
Critical Dialogues Lecture Series Presents:Rashid Johnson
Monday, November 23rd
11am, Auditorium B04
http://www.moniquemeloche.com/html/artists/johnson/johnson.html
Tyler School of Art
Temple University
2001 N. 13th Street
Philadelphia, PA 19122
Lectures are free and open to the public.
Samuel the Escapist, 2009
Tyler Glass Guild HOLIDAY SALE!
Need an unique Holiday Gift? The Tyler Glass Guild has just what you need. Hand blown and colorful glass perfect for any Holiday needs! Plus you will help support the Tyler Glass Guild Visiting Artists Program! Come to the Atrium of the Tyler School of Art Building between 10 and 6 on Thursday Nov 19 and Friday Nov 20! Your family and friends will love the unique gifts handcrafted by your fellow students!
Get your Holiday Gifts EARLY this year! BE DONE BEFORE THANKSGIVING!
Friday, November 13, 2009
Brooklyn Performance at Hi Christina!
S/he is an improv structure that De Facto Dance is adapting for the space at Hi Christina. In this version, s/he is always a she. She is not alone. She wishes to break away and then come right back.
Thursday, November 12, 2009
Call for Entries: Gesture
Gesture (inclusive) will be presented February 9–March 3, 2010 at the Hopkins Hall Gallery + Corridor in conjunction with the international conference Gesture at Large (February 25–27) at the Ohio State University–Columbus Campus. Portions of the exhibition will travel to the Kuhn Gallery of Art, OSU–Marion Campus for exhibition March 29–April 29, 2010.
Visit: www.gestureOSU.com for more info.
Wednesday, November 11, 2009
Critical Dialogues Lecture Added
Friday, November 6, 2009
THE INTERNET AS A PLAYGROUND AND FACTORY a conference on digital labor
Thursday, November 5, 2009
Illuminated Manuscripts: Alexandre Singh's "Assembly Instructions"

The metaphor of the brain as a database (or, if you prefer, the database as a brain) flatters and anthropomorphizes the machine more than it explains the mind. Gray matter doesn't seem to be organized in a way that makes the storage and retrieval of information easy; rather, the classification and categorization that characterize the database are pre-digital technologies invented to manage the ever-increasing amounts of information that civilization requires citizens to master. Cicero used a "memory palace" when delivering orations. As he spoke, he would imagine moving through a house where each room and object represented points he needed to make in his speech and the supporting evidence he needed to make them. The antithesis of such memory systems might be the dream, the mind's nightly refresher that reconfigures the day's events and data in disjointed, symbolic narratives. Both the memory palace and the dream are based on irrational elements: subjective experience, arbitrary connections, and word play. That the memory palace is created under the thinker's deliberate control only highlights the conscious mind's eagerness to do what the unconscious mind does automatically. Even as Cicero publicly performed the constructs of reason, his brain was circumventing them.

Last July, in a New York University faculty residence on West Houston Street where Picasso's sculpture and I.M. Pei's architecture face off in a courtyard invisible to Google Earth, Alexandre Singh delivered an installment of his Assembly Instructions Lectures, a series of talks illustrated by a pair of overhead projectors. After introducing his audience to Matteo Ricci, a sixteenth-century Jesuit missionary who taught the memory palace technique to Chinese officials to convince them of the superiority of Western (and by extension, Christian) thought, Singh launched into a detailed recounting of a dream he supposedly had, in which Ingvar Kamprad, founder and principle shareholder of Ikea, announced that the master floor plan implemented in every Ikea store around the world encodes a classification of all human knowledge. For instance, the arrangement of shoes, hangers, and sweaters in a display closet, as Singh demonstrated, represented the kingdoms and phyla of life on Earth. What's more, the Ikea system of Singh's dream world does not merely encode--it controls. If something changes in a store--say, a new couch model is introduced for the new season, or a passing child moves a prop coffee-table book around a fake living room--the fabric of reality is altered.
(read more: http://rhizome.org/editorial/3045#more)
Monday, November 2, 2009
Monday, November 9th
Critical DialoguesLecture Series Presents:
Michael Jones McKean
November 9th, 2009
11 am, Auditorium B04
http://www.michaeljonesmckean.com/index.html
Lectures are free and open to the public.
Tyler School of Art
Temple University
2001 N. 13th St.
Philadelphia, PA 19122
The Possibility of Men and River Shallows, 2007
Sunday, November 1, 2009
Critical Dialogues 11/2 Cancelled
Friday, October 23, 2009
Critical Dialogues Fall 2009
Critical Dialogues Lecture Series Presents: Taylor Davis
Monday, November 2nd
11am, Auditorium B04
http://www.taylordavissculptor.com/
Lectures are free and open to the public.
Tyler School of Art
Temple University
2001 N. 13th St.
Philadelphia, PA 19122
untitled, black walnut plywood, oil paintings, 29" x 25" x 25", 2008

